Items where Subject is "P Language and Literature > PR English Literature > PR3991 19th century (1770-1900)"

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Number of items at this level: 47.

A

Anstey, F., Merchant, P., ed. (2017) The statement of Stella Maberly. Richmond, VA: Valancourt Books. ISBN 9781943910618.

B

Butler, A.M. (2016) British science fiction. In: Einaus, Ann-Marie, ed. The Cambridge Companion to the English Short Story. Cambridge: Cambridge University Press. ISBN 9781316018866

C

Ciocia, S. (2012) The last of the Romantics? The accidental investigator in postmodern detective fiction. In: Casaliggi, C. and March-Russell, P., eds. The Legacies of Romanticism: Literature, Culture, Aesthetics. London; New York: Routledge. pp. 198-210 ISBN 9780415890083

Civale, S. (2017) Austentatious: comedy improv and Austen adaptation in the twenty-first century. Women's Writing. ISSN 0969-9082. (In Press)

Civale, S. (2017) Women’s life writing and reputation: a case study of Mary Darby Robinson. Romanticism. ISSN 1354-991X. (In Press)

G

Gavin, A. (2004) Dark horse: a life of Anna Sewell. Stroud: Sutton Publishing. ISBN 9780750928380.

Gavin, A., ed. (1999) David Copperfield. Wordsworth Classics. Ware: Wordsworth. ISBN 9781853260247.

Gavin, A., ed. (2008) Paul Ferroll: a tale by Caroline Clive. Critical ed. Valancourt Classics. Kansas City, USA: Valancourt Books. ISBN 9781934555613.

Gavin, A. (2004) Sewell, Anna (1820-1878). In: Matthew, H. and Harrison, B., eds. Oxford Dictionary of National Biography: In Association with the British Academy. From the Earliest Times to the Year 2000. Oxford: Oxford University Press. ISBN 9780198614111

Gavin, A. (2004) Sewell, Mary (1797-1884). In: Matthews, H. and Harrison, B., eds. Oxford Dictionary of National Biography: In Association with the British Academy. From the Earliest Times to the Year 2000. Oxford: Oxford University Press. ISBN 9780198614111

Gavin, A. (1998) Spirits of the age: ghosts in the Victorian novel. In: Palmer, A., Routledge, C. and Mills, B., eds. Critical Mass: Papers from the English Graduate Colloquium 1996-97. Canterbury: Canterbury Christ Church University College. pp. 19-28 ISBN 9781899253302

M

Merchant, P. (2012) "Dickens's suffering child and Anstey's fabulous mill". In: Dickens and the Idea of 'The Dickensian': A Tale of Four Cities: A Bicentenary Traveling Conference, 2nd-9th February 2012, France and the UK.

Merchant, P. (2002) "Excavation marks: Victorian broodings on 'the birthless past'". In: The Victorians and the Past (Research Seminar Series With Invited Speakers), from 2 October 2002 onwards (the paper described above opened the series), School of English, University of Kent at Canterbury.

Merchant, P. (2012) "Exploring 'Great Expectations.'". In: Dickens Bicentenary Lecture, 3 May 2012, University Centre, Folkestone.

Merchant, P. (1985) Greece in the romantic imagination: Trelawny, Byron, and the lure of myth. The Greek Gazette, 19 (April). pp. 1-9. ISSN 0017-386X.

Merchant, P. (2016) 'Hast thou yet found a balmy spot...?': Mary Eliza Haweis (1848-98) and domestic felicity. In: Owen, D. and Peterson, L., eds. Home and Away: The Place of the Child Writer. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 28-45 ISBN 9781443880824

Merchant, P. (2016) "Rescued by Rover: Terriers, Tenacity, and Thomas Anstey Guthrie". In: Becoming Animal with the Victorians, 4-5 Feb 2016, Université Paris Diderot.

Merchant, P. (1997) Review of Charles Dickens, Great Expectations, ed. Janice Carlisle and of New Casebooks: “Great Expectations,” ed. Roger D. Sell. The Dickensian, 93 (1). pp. 53-55. ISSN 0012-2440.

Merchant, P. (2005) Review of Dickens Studies Annual 34. The Dickensian, 101 (465). pp. 62-64. ISSN 0012-2440.

Merchant, P. (2006) Review of Dickens Studies Annual 35. The Dickensian, 102 (468). pp. 56-58. ISSN 0012-2440.

Merchant, P. (2007) Review of Dickens Studies Annual 36. The Dickensian, 103 (471). pp. 63-65. ISSN 0012-2440.

Merchant, P. (2013) Spirited away: highland touring, 'Toctor Shonson' and the hauntings of Celtism. In: Gibson, M., Trower, S. and Tregidga, G., eds. Mysticism, Myth and Celtic Identity. Abingdon: Routledge. pp. 142-152 ISBN 9780415628686

Merchant, P. (2015) "Thomas Anstey Guthrie's gothic voices". In: Victorian Gothic, 12 June 2015, Birmingham City University.

Merchant, P. (2015) "Trollope revisited.". In: Folkestone Book Festival, 20-29 November 2015, Quarterhouse (and Other Venues for Other Events), Folkestone.

Merchant, P. (2000) "Wedded to the ocean: Charles Dickens and the speech of the sea.". In: Dickens Festival, 19 June 2000, Broadstairs. (Unpublished)

Merchant, P. (2015) "A kind of odour of Salem House": David Copperfield and Thomas Anstey Guthrie. In: Merchant, P. and Waters, C., eds. Dickens and the Imagined Child. Farnham: Ashgate. pp. 131-147 ISBN 9781472423818

Merchant, P. and Waters, C., eds. (2015) Dickens and the imagined child. Farnham: Ashgate. ISBN 9781472423818.

Merchant, P. and Waters, C. (2015) Introduction. In: Merchant, P. and Waters, C., eds. Dickens and the Imagined Child. Farnham: Ashgate. pp. 1-10 ISBN 9781472423818

O

Oulton, C. (2017) British seaside fiction. Literary Encyclopedia, 1.2.1. (05). ISSN 1747-678X.

Oulton, C. (2016) ‘”Coquetting amid incredible landscapes”: Women on the river and the railway’ 1862-1922. BRANCH. (In Press)

Oulton, C. (2016) Dickens and the myth of the reader. Routledge. ISBN 9781138230323.

Oulton, C. (2015) Dickens, letters and readers. In: Dickens Fellowship, 9th March, Canterbury. (Unpublished)

Oulton, C. (2018) ‘I was in the condition of mind to be shocked at nothing’: losing the plot in Wuthering Heights. In: Oulton, C., ed. British Women’s Writing from Brontë to Bloomsbury, 1840-1940 Volume 1: 1840s and 1850s. Palgrave Macmillan. (In Press)

Oulton, C. (2016) ”I write this with my hands in a basin of water”: Dickens, letters and readers. The Dickensian, 112 (2). pp. 105-113. ISSN 0012-2440.

Oulton, C. (2018) Introduction. In: Oulton, C. and Gavin, A., eds. British Women’s Writing from Brontë to Bloomsbury, 1840-1940 Volume 2: 1860s and 1870s. Palgrave Macmillan. (In Press)

Oulton, C. (2016) ‘”Literary Champagne”: or the fiction of seaside reading’. In: Victorian Popular Fiction Conference, 14th-15th July, 2016, IES, London.

Oulton, C. (2017) ‘Making literature ridiculous’: Jerome K. Jerome and the new humour. Dickens Studies Annual: Essays on Victorian Fiction, 48. pp. 273-284. ISSN 0084-9812.

Oulton, C. (2015) ‘“No magic dwelling-place in magic story”: time, memory and the enchanted children of Dombey and Son’. In: Merchant, P. and Waters, C., eds. Dickens and the Imagined Child. Ashgate. pp. 43-56 ISBN 9781472423832

Oulton, C. (2018) ‘Smothered under rose-leaves’: violent sensation and the location of the feminine in Eliza Lynn Linton’s sowing the wind'. In: Gavin, A. and Oulton, C., eds. British Women’s Writing from Brontë to Bloomsbury, 1840-1940 Volume 2: 1860s and 1870s. Palgrave Macmillan. (In Press)

Oulton, C. (2018) “licking the chops of memory”: plotting the social sins of Jekyll and Hyde’. Humanities, 7 (2). ISSN 2076-0787.

Oulton, C. (2015) “see if I don’t you poor old book”: Repositioning the reader in Mary Cholmondeley’s diaries. In: DeBoer-Langworthy, C., ed. Lifewriting Annual: Biographical and Autobiographical Studies. Brooklyn, New York: AMS Press, Inc.. pp. 99-111 ISBN 978 0404634247

Oulton, C., Gavin, A. and Oulton, C., eds. (2018) British women’s writing from Brontë to Bloomsbury, 1840-1940 Volume 1: 1840s and 1850s. British Women’s Writing from Brontë to Bloomsbury, 1840-1940, 1. Palgrave Macmillan. ISBN 9783319782256. (In Press)

Oulton, C. (2018) Volume introduction. In: UNSPECIFIED, ed. British Women’s Writing from Brontë to Bloomsbury, 1840-1940 Volume 1: 1840s and 1850s. British Women’s Writing from Brontë to Bloomsbury, 1. Palgrave. (In Press)

Oulton, C. (2014) Introduction. In: UNSPECIFIED, ed. Three Men on the Bummel. Kindle ed. Victorian Secrets.

Oulton, C., Oulton, C. and Gavin, A., eds. (2018) British women’s writing from Brontë to Bloomsbury, 1840-1940. Volume 2: 1860s and 1870s. Palgrave Macmillan. (In Press)

Overall, S. (2018) Psycho geography? on the trail of the monster. In: Performance Lecture Series: 'Frankenstein's Monster Reborn', 25 January - 8 February 2018, Sidney Cooper Gallery, Canterbury. (Unpublished)

Overall, S. (2016) Walk Like Wells. In: Walk Like Wells, 19 Nov 2016, Folkestone, Kent. [Show/Exhibition] (Submitted)

This list was generated on Thu Jun 21 01:08:51 2018 UTC.

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Last edited: 29/06/2016 12:23:00