Items where Subject is "P Language and Literature > PN Literature (General) > PN1600 Drama > PN2000 Dramatic Representation. The Theater"

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Number of items at this level: 30.

B

Bidgood, J. (2016) The Routledge Companion to Puppetry and Material Performance edited by Dassia N. Posner, Claudia Orenstein and John Bell. Contemporary Theatre Review, 26 (3). pp. 378-379. ISSN 1048-6801.

F

Fragkou, M. (2010) Gender performativity, nomadic subjectivity and theatre: Phyllis Nagy’s Weldon Rising and The Strip. In: Jones, R., ed. Debating the Difference: Gender Representation and Self­ Representation. Dundee: University of Dundee. ISBN 9781899837601

Frost, J. (2016) It's behind you! The rediscovery of Strood through pantomime. In: Beyond the Centre: Arts and Humanities Faculty Conference, 8th June, 2016, Canterbury Christ Church University. (Unpublished)

H

Hurst, A. and Vivas, J. (2014) Etched. In: Etched, 6th May, 2014, Canterbury Christ Church University Anselm Studio 2. [Show/Exhibition]

I

Igweonu, K. (2011) Interculturalism revisited: identity construction in African and African-Caribbean performance. In: Igweonu, K., ed. Trends in Twenty-first Century African Theatre and Performance. Themes in Theatre - Collective Approaches to Theatre and Performance (6). Amsterdam and New York: Rodopi. pp. 61-84 ISBN 9789042033863

Igweonu, K. (2013) Keeping it together: Talawa Theatre Company, Britishness, aesthetics of scale and mainstreaming the black-British experience. In: Duggan, P. and Ukaegbu, V., eds. Reverberations: Britishness, Aesthetics and Small-Scale Theatres. Bristol: Intellect. ISBN 9781783202973

Igweonu, K. (2014) Talawa theatre: a boundless leap into mainstream British theatre 1985-1994. In: Saunders, G., ed. British Theatre Companies 1980-1994. York: Methuen Drama. ISBN 9781408175484

Igweonu, K., ed. (2011) Trends in twenty-first century African theatre and performance. Themes in Theatre - Collective Approaches to Theatre and Performance, 6. Amsterdam and New York: Rodopi. ISBN 9789042033863.

Igweonu, K. and Okagbue, O., eds. (2013) Performative inter-actions in African theatre 1: diaspora representations and the interweaving of cultures. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781443853781.

Igweonu, K. and Okagbue, O., eds. (2013) Performative inter-actions in African theatre 2: innovation, creativity & social change. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781443853804.

Igweonu, K. and Okagbue, O., eds. (2013) Performative inter-actions in African theatre 3: making space, rethinking drama & Ttheatre in Africa. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781443852500.

L

Lech, K. (2016) Bubble revolution: performing translation. In: Edinburgh Fringe Festival, 4th-28th August, 2016, Edinburgh. [Performance]

Lech, K. (2015) Difficult encounter: Polish theatre on the Irish stage between 2004 and 2015. Litteraria Pragensia, 25 (50). pp. 32-46. ISSN 0862-8424.

Lech, K. (2014) Memory, Communism, and foreign words in Julia Holewińska’s Foreign Bodies: balancing foreignization and domesticating strategies in a production by Polish Theatre Ireland. Translation Ireland, 19 (2). pp. 37-48. ISSN 1649-7767.

Lech, K. (2015) Pain, rain, and rhyme: the role of rhythm in Stefanie Preissner’s work. In: UNSPECIFIED, ed. Radical Contemporary Theatre Practices by Women in Ireland. Dublin: Carysfort Press. pp. 151-166 ISBN 9781909325753

Lech, K. (2015) Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta’s Polish productions. Theatralia, 18 (2). pp. 277-302. ISSN 1803-845X.

S

Stefanovski, G. (2007) Bare wires. In: International Meeting of Drama Schools, 27 March - 3 April 2007, Skopje, Macedonia.

Stefanovski, G. (2014) From first idea to first night. In: From First Idea to First Night, 21st November, 2015, Anselm Drama Studio, Canterbury Christ Church University. (Unpublished)

Stefanovski, G. (2009) Learning and unlearning. In: Deschooling Classroom, Aug 2009, Ohrid, Macedonia.

Stefanovski, G. (2014) Scriptwriting workshop. In: 44th Festival of Slovenian National Drama, 25th-29th March, 2015, Kranj National Theatre, Slovenia. (Unpublished)

Stefanovski, G. (2007) Tales from the wild East. In: Barnett, D. and Skelton, A., eds. Theatre and Performance in Eastern Europe. Lanham, Maryland, USA: The Scarecrow Press. pp. 147-155 ISBN 9780810860230

Stefanovski, G. (2015) Teaching the unteachable. In: Virtuous Circle? Practise, Pedagogy, Research Explored, 30th June, 2015, Practice Based Research Centre, School of Media, Arts and Design, Canterbury Christ Church University. (Unpublished)

Stefanovski, G. (2013) Cernodrinski revient a la maison. Paris: L’Espace d’un instant, Paris. ISBN 9782915037791.

Stefanovski, G. (2015) Cernodrinski revient a la maison. In: Cernodrinski revient a la maison, June 2015, Theatre National De Syldavie, Maison d’Europe et d’Orient in Paris. [Performance]

Stefanovski, G. (2011) Selected plays. Translation Project Macedonian Literature in English, 99. Skopje, Macedonia: St. Clement of Ohrid, National and University Library. ISBN 9786082320281.

Stefanovski, G. and Mustafic, D. (2015) Divlje meso (Wild flesh). In: Divlje meso, 2015, Narodno Pozoriste Sarajevo. [Performance]

Stefanovski, G. Divoke maso (Wild flesh). In: Divoke maso, in repertory 2015, Divadlo Komedia, Prague. [Performance]

Stefanovski, G. (2014) Figurae Veneris Historiae. In: Figurae Veneris Historiae, 2014-2015, 2015-2016, Slovenian National Theatre, Ljubljana, and other theatres. [Performance]

Stefanovski, G. Ogneni jazici (Tongues of fire). In: Ogneni jazici, In repertory 2013/2014, 2014/2015, Dramski Teatar, Skopje, Macedonia. [Performance]

Stefanovski, G. (2016) The Successor, by Ismail Kadare. In: Pasardhesi, 28th December, 2016-, National Theatre of Kosovo, Pristina. [Performance] (Unpublished)

This list was generated on Thu Dec 13 02:56:44 2018 UTC.

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Last edited: 29/06/2016 12:23:00