Items where Subject is "P Language and Literature > PN Literature (General) > PN1600 Drama > PN1993 Motion pictures"

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Number of items at this level: 77.

B

Birtwistle, A. (2012) Douglas Gordon and cinematic audiovisuality in the age of television: experiencing the experience of cinema. Visual Culture in Britain, 13 (1). pp. 101-113. ISSN 1471-4787.

Birtwistle, A. (2014) House. [Performance] (Unpublished)

Birtwistle, A. (2013) House. [Video]

Birtwistle, A. (2014) House. [Performance] (Unpublished)

Birtwistle, A. (2014) House. [Performance] (Unpublished)

Birtwistle, A. (2016) Photographic sound art and the silent modernity of Walter Ruttmann's 'Weekend' (1930). New Soundtrack, 6 (2). pp. 109-127. ISSN 2042-8855.

Birtwistle, A. (2015) Radical conformity: Len Lye and the theorisation of film practice. In: Beyond the Frame - 27th Annual Conference of the Society for Animation Studies, 13th-16th July, 2015, Canterbury Christ Church University, Canterbury, UK. (Unpublished)

Birtwistle, A. (2012) White noise: the representation of modernity in the films of Pai Ching-jui. In: Chang, B-Y and Klöter, H., eds. Imaging and Imagining Taiwan: Identity representation and cultural politics. Studia Formosiana (8). Wiesbaden: Harrassowitz Verlag. pp. 67-87 ISBN 9783447066747

Butler, A.M. (2015) Sleeping/waking: politicizing the sublime in science fiction film special effects. In: Redmond, S. and Marvell, L., eds. Endangering Science Fiction Film. New York and London: Routledge. pp. 117-131 ISBN 9781138792630

Butler, A.M. (2013) Unimportant failures? The fall and rise of The Man Who Fell to Earth. In: Van Parys, T. and Hunter, I.Q., eds. Science Fiction across Media: Adaptation/Novelization. Canterbury: Gylphi Press. pp. 81-96 ISBN 9781780240121

C

Ciocia, S. (2015) Lost in cinematic translation: the “soft-boiled” housewife in The Blank Wall and American gender politics after WWII. Literature/Film Quarterly, 43 (3). pp. 170-187. ISSN 0090-4260.

F

Fox, K. (2016) 'The Fighting Prince of Donegal': the cinematic landscape. In: Allingham Arts Festival, November, 2016, Ballyshannon, Co Donegal, Republic of Ireland. (Unpublished)

Fox, K. (2013) Going to the pictures: the influence of home town cinema on cultural agents in the border regions of Ireland: methodology and analysis. In: Irish Cinema: Culture and Context, April 18-20 2013, University College Cork, Ireland.

Fox, K. (2013) In praise of the inauthentic: the cinematic landscape of The Fighting Prince of Donegal. In: Harper, G. and Rayner, J., eds. Film Landscapes: Cinema, Environment and Visual Culture. Cambridge Scholars Press. pp. 10-15 ISBN 9781443843720

Fox, K. (2016) Robbing romance to pay history or robbing history to pay romance: an analysis of 'Talk of Angels' (Hamm, 1998) and 'Land and Freedom' (Loach, 1995). In: Spanish Civil War Conference, July, 2016, Canterbury Christ Church University. (Unpublished)

Fox, K. (2008) The three spatialities of Los Angeles Latino/a cinema. In: Hallam, J., Koeck, R., Kronenburg, R. and Roberts, L., eds. Cities in Film: Architecture, Urban Space and the Moving Image. Liverpool: University of Liverpool. pp. 65-69 ISBN 9780955788413

Fox, K. and Lambirth, A. (2012) Film and pedagogy: learning about teaching at the movies. In: Bahloul, M. and Graham, C., eds. Lights! Camera! Action and the Brain: The Use of Film in Education. Cambridge Scholars Press. pp. 61-81 ISBN 9781443836579

G

Garrido, P., Repulles, F., Sanguesa, J.A., Gallardo, J., Torres, V., Tramullas, J. and Bloor, A. (2016) AINA: Disney animation information as educational resources. In: ICALT 2016 : 18th International Conference on Advanced Learning Technologies, 24th-25th October, 2016, Paris.

H

Hocking, I. (2015) Solaris and 'the other' [in Eye on fiction: the alien in us all]. The Psychologist, 28 (10). pp. 808-811. ISSN 0952-8229.

J

Jones, T. Canterbury Amateur Film Archive blog. Canterbury Christ Church University.

L

Lambirth, A. and Fox, K. (2008) Film and pedagogy: learning about teaching at the movies. In: 4th ESCalate Conference, 16 May 2008, Carlisle.

M

Malek, D. (2015) Exploring machinima: the impact of virtual filmmaking practice on the creative process. M.A. thesis, Canterbury Christ Church University.

McMillan, E. (2017) Camera machine. Leo Marks, Michael Powell and Peeping Tom. [Video] (Unpublished)

McMillan, E. and Hawkins, B. (2014) Landscape and vision. Powell and Pressburger's 'A Canterbury Tale' 1944 - 2014. [Video] (Unpublished)

Merchant, P. (2016) Thomas Anstey Guthrie's Madhouse Shuffle: steps toward a nightmare scenario. Nineteenth Century Theatre and Film (Online First). ISSN 1748-3727.

N

Newton, J. (2014) Nunsploitation: the forgotten cycle. Offscreen, 18 (6-7). ISSN 1712-9559.

Newton, J. (2014) Progressive spaces and battlelines: Bristol Radical Film Festival. Necsus European Journal of Media Studies. ISSN 2213-0217.

Newton, J. (2011) Turning the Western on its head: simple subversion in Sergio Corbucci's The Great Silence (1968). Offscreen, 15 (11). ISSN 1712-9559.

Newton, J. (2015) The Zombiefied landscape: World War Z, ParaNorman, and the politics of the animated corpse. In: Pallant, C., ed. Animated Landscapes: History, Form and Function. Bloomsbury. pp. 233-249 ISBN 9781628923513

P

Pallant, C. (2015) APES 2015. Animation Studies 2.0.

Pallant, C., ed. (2015) Animated landscapes: history, form and function. New York, USA: Bloomsbury Academic. ISBN 9781628923490.

Pallant, C. (2013) Animated performance – reflections on an interpretational framework. Animation Studies 2.0.

Pallant, C. (2015) Between frames: animating the storyboard. In: 3rd British Association of Film, Television and Screen Studies Conference, 16th-18th April, 2015, Manchester Metropolitan University.

Pallant, C. (2014) Between frames: animating the storyboard. In: 26th Annual Conference for the Society for Animation Studies, 16th-19th June, 2014, Sheridan College, Toronto, Canada.

Pallant, C. (2015) #BrickBowl – 36hr animation project. Animation Studies 2.0.

Pallant, C. (2013) Canterbury Anifest Awards 2013. Animation Studies 2.0.

Pallant, C. (2014) Constructing entertainment: storyboarding the ‘Spielberg-Lucas-Coppola cinema of effects'. In: 2nd British Association of Film, Television and Screen Studies Conference, 24th-26th April, 2014, University of London.

Pallant, C. (2011) Demystifying Disney: a history of Disney feature animation. London: Continuum. ISBN 9781441174215.

Pallant, C. (2011) Demystifying Disney: from Mickey Mouse to media institution [Invited speaker]. In: The Media Studies Conference, 6th-8th July, 2011, British Film Institute, London.

Pallant, C. (2007) Digesting Disney. In: Feast!—An Interdisciplinary Conference on Food in Text and Image, 24th-25th November, 2007, Bangor University, Bangor, Wales.

Pallant, C. (2012) Digital dimensions in actorly performance: the aesthetic potential of performance capture. Film International, 10 (3). pp. 37-49. ISSN 1651-6826.

Pallant, C. (2016) Disney pluralism: beyond Disney-formalism. In: Davis, Amy, ed. Discussing Disney: New Perspectives in Disney Studies. New Barnet: John Libbey. (In Press)

Pallant, C. (2015) Disney pluralism: beyond Disney-formalism [Keynote speaker]. In: Discussing Disney, 3rd-4th September, 2014, University of Hull. (Unpublished)

Pallant, C. (2010) Disney-formalism: rethinking 'classic Disney'. Animation: an Interdisciplinary Journal, 5 (3). pp. 341-352. ISSN 1746-8477.

Pallant, C. (2015) Introduction. In: Pallant, C., ed. Animated Landscapes: History, Form and Function. New York, USA: Bloomsbury Academic. pp. 1-12 ISBN 9781628923490

Pallant, C. (2010) Neo-Disney: recent developments in Disney feature animation. New Cinemas: Journal of Contemporary Film, 8 (2). pp. 103-117. ISSN 1474-2756.

Pallant, C. (2013) New York: the animated city. Comparative American Studies, 11 (4). pp. 349-360. ISSN 1477-5700.

Pallant, C. (2012) Pixar – inside the toy box: Dr. Chris Pallant in conversation with Pixar’s Dan McCoy. In: Canterbury Anifest, 5th-6th October, 2012, Canterbury Christ Church University.

Pallant, C. (2009) Pixar: the hyphenation of Disney. In: Media, Communication and Cultural Studies Association-PGN, 8th-9th July, 2009, Bangor University, Bangor, Wales.

Pallant, C. (2006) Re-make or re-take? In: Journeys Across Media 2006, 23rd April, 2006, University of Reading.

Pallant, C. (2013) Redefining the animated landscape. In: 25th Annual Conference for the Society for Attendance Animation Studies, 23rd-27th June, 2013, USC School of Cinematic Arts, Los Angeles.

Pallant, C. (2015) Research on boarders: storyboarding American cinema. In: Research without Borders - International Research in the Arts and Humanities, 11th June, 2015, Canterbury Christ Church University, Canterbury, UK.

Pallant, C. (2012) Storyboard history: an incomplete history. In: Screenwriting Research Network Seminar, 29th March, 2012, Senate House, University of London.

Pallant, C. (2012) Storyboarding American cinema: an incomplete history [Invited speaker]. In: 57th Annual British Association for American Studies Conference, 12th-15th April, 2012, University of Manchester.

Pallant, C. (2015) Storyboarding in colour: (some) critical perspectives [Invited speaker]. In: International Trickfilm Festival: Festival of Animated Film, 5th-10th May, 2015, Innenstadkinos, Stuttgart.

Pallant, C. (2014) Storyboarding the ‘Spielberg-Lucas-Coppola cinema of effects' [Invited speaker]. In: 59th Annual British Association for American Studies Conference, 10th-13th April, 2014, University of Birmingham.

Pallant, C. (2014) Storyboarding the “Spielberg-Lucas-Coppola cinema of effects": history and scholarly practice. In: Animation Research Lecture Series, 16th April, 2014, Arts University Bournemouth.

Pallant, C. (2015) Storyboarding: frames of reference [Keynote speaker]. In: Storyboarding: Bild-Text-Bewegung, 3rd-4th July,2015, Deutsche Kinemathek, Berlin.

Pallant, C. (2007) Tarantino the cartoonist. Animation, 2 (2). pp. 171-186. ISSN 1746-8477.

Pallant, C. (2011) Urbanimation: representing and reconfiguring New York City through animation. In: 56th Annual British Association for American Studies Conference, 14th-17th April, 2011, University of Central Lancashire.

Pallant, C. (2013) The animated landscape. In: Harper, G. and Rayner, J., eds. Film Landscapes: Cinema, Environment and Visual Culture. Cambridge Scholars Press. pp. 183-198 ISBN 9781443843720

Pallant, C. (2010) The animated landscape. In: International Cinema and Landscape Conference, 16th-18th April, 2010, University of Sheffield.

Pallant, C. (2015) The animated storyboard: text and performance. In: 8th Screenwriting Research Network International Conference, 10th-12th September, 2015, University of London.

Pallant, C. (2015) The stop-motion landscape. In: Pallant, C., ed. Animated Landscapes: History, Form and Function. New York, USA: Bloomsbury Academic. pp. 33-50 ISBN 9781628923490

Pallant, C. and Price, S. (2013) Screenwriting and storyboarding. In: 6th Screenwriting Research Network International Conference, 20th-22nd August, 2013, University of Wisconsin-Madison.

Pallant, C. and Price, S. (2015) Storyboarding: a critical history. Palgrave Studies in Screenwriting. London: Palgrave. ISBN 9781137027597.

S

Samuel, J. (2004) Elements of life. [Video] (Unpublished)

Samuel, J. (2005) Natural perspectives. [Video] (Unpublished)

Shepherdson, K. (2000) Pastiche. In: Pearson, R. and Simpson, P., eds. Critical Dictionary of Film and Television Theory. London: Routledge. pp. 127-128 ISBN 9780415162180

Simpson, P., Utterson, A. and Shepherdson, K., eds. (2003) Film theory: critical concepts in media and cultural studies. London: Routledge. ISBN 9780415259712.

Stefanovski, G. (2011) Do balcak (To the hilt).

Stefanovski, G. (1988) Wild, wild east. (Unpublished)

Stefanovski, G. (2014) Do balcak (To the hilt: story from the wild east). [Video]

U

Utterson, A. (2008) Romancing the 'electronic brain'. In: Film and History Biennial Conference: Film and Science: Fictions, Documentaries and Beyond, 30 October - 2 November 2008, Chicago, USA.

Utterson, A. (2008) Tarzan vs. IBM: humans and computers in Jean-Luc Godard's Alphaville. Film Criticism, 33 (1). pp. 45-63. ISSN 0163-5069.

Utterson, A., ed. (2005) Technology and culture: the film reader. In Focus: Routledge Film Readers. Abingdon: Routledge. ISBN 9780415319843.

W

Witham, N. (2009) Rambo America resisted: intertextual politics in Oliver Stone’s Salvador (1986) and Platoon (1986). U.S. Studies Online, 14. ISSN 1472-9091.

This list was generated on Sun Oct 22 20:41:46 2017 UTC.

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Last edited: 29/06/2016 12:23:00