Items where Subject is "N Fine Arts > N Visual arts"

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Number of items at this level: 134.


Ambrose, D. (2009) Bacon's spiritual realism: the spirit in the body. In: Harrison, M., ed. Francis Bacon – New Studies. Centenary Essays. Göttingen: Steidl. ISBN 9783865219466

Ambrose, D. (2009) Deleuze and Bacon: triptychs, eternity and the spirituality of the body. In: Visual Cultures, Guest Lecture Series, 21 May 2009, Goldsmiths, University of London.

Ambrose, D. (2011) Deleuze, 'Powers of the False' and Kleist. In: Politics, Poetics and Practice: New Paradigms for Theory-Practice Interchange in Creative Media Production, 6 May 2011, Canterbury, Kent, UK.

Ambrose, D. (2010) Deleuze, Cinema and Belief: The Restoration of a Lost World. In: Canterbury Christ Church University Media Department Research Seminar Series, 20 Jan 2010, Canterbury, Kent, UK.

Ambrose, D. (2007) Gilles Deleuze. In: Vickery, J. and Costello, D., eds. Art: Key Contemporary Thinkers. Oxford, UK: Berg Publishers. pp. 117-120 ISBN 9781845203207


Bale, S. (2017) Revisiting the 18th century sublime in contemporary visual art: representations of Icelandic landscape. M.A. thesis, Canterbury Christ Church University.

Ball, Rob (2015) Dreamlands. London: Dewi Lewis. ISBN 9781907893742.

Ball, Rob (2015) Dreamlands. In: Dreamlands, June-August 2015, The Photographers' Gallery, London. [Show/Exhibition]

Ball, Rob (2017) Dreamlands: photography and culture portfolio. Photography and Culture. pp. 1-12.

Ball, Rob (2015) Obsolete Studios (event) : Format Photography Festival 2015. In: UNSPECIFIED. [Show/Exhibition]

Ball, Rob (2013) Obsolete Studios (event): Turner Contemporary, Margate. In: Late Night Love Architecture, 28th June, 2013, Turner Contemporary. [Performance]

Ball, Rob (2012) Paper round. In: The Royal Academy Summer Exhibition, 2012, The Royal Academy, London. [Show/Exhibition]

Ball, Rob (2015) Paradigm lecture series: Rob Ball. In: Paradigm Lecture Series: Rob Ball, 23rd April, 2015, University of the Arts, Philadelphia.

Ball, Rob (2011) 'Ways of looking' photography festival. In: Ways of Looking, October 2011, Bradford. [Show/Exhibition]

Birtwistle, A. (2010) Cinesonica: sounding film and video. Manchester: Manchester University Press. ISBN 9780719081118.

Birtwistle, A. (2014) House. In: Basement Media Fest, June 2014, New York. [Performance] (Unpublished)

Birtwistle, A. (2000) Independent cinema. In: Pearson, R. and Simpson, P., eds. Critical Dictionary of Film and Television Theory. London: Routledge. ISBN 9780415162180

Birtwistle, A. (2017) Meaning and musicality: sound-image relations in the films of John Smith. In: Rogers, H. and Barham, J., eds. The Music and Sound of Experimental Film. New York: Oxford University Press. pp. 167-183 ISBN 9780190469900

Birtwistle, A. (2000) Mode of production. In: Pearson, R. and Simpson, P., eds. Critical Dictionary of Film and Television Theory. London: Routledge. ISBN 9780415162180

Birtwistle, A. (2000) Real-time. In: Pearson, R. and Simpson, P., eds. Critical Dictionary of Film and Television Theory. London: Routledge. ISBN 9780415162180

Birtwistle, A. (2007) Stories of the Eye - Harbouring History. Vertigo, 3 (5). p. 31. ISSN 0968-7904.

Birtwistle, A. (2000) Text. In: Pearson, R. and Simpson, P., eds. Critical Dictionary of Film and Television Theory. London: Routledge. ISBN 9780415162180

Birtwistle, A. (2000) The Turner Prize: lead monkey of democracy. In: Messy Beds Symposium on the 2000 Turner Prize, January, 2000, Canterbury Christ Church University College.

Bourne, P., Camic, Paul M., Crutch, S., Hulbert, S., Firth, N. and Harding, E. (2019) Using psychological and physiological measures in arts-based activities in a community sample of people with a dementia and their caregivers: a feasibility and pilot study. Journal of Aging Studies and Therapies, 1 (1).

Butler, A.M. (2009) Machines extraordinaires: Going beyond the Gernsback-Campbell Continuum in Seventies Science Fiction. In: Extraordinary Voyages: Jules Verne and Beyond - Eaton Science Fiction Conference, May 2009, University of California, USA.

Butler, A.M. (2009) Saying the words you can't say on television on television: Dysphemism and the poetics of ''bad'' language. In: Playing for Laughs, 9 Feb 2009, De Montfort University, Leicester, UK.

Butler, A.M. (2009) Unimportant failures: The fall and rise of the man who fell to Earth. In: Science Fiction Across Media: Adaption/Novelisation, May 2009, Katholieke Universiteit Leuven, Belgium.


Camic, Paul M. (2016) The methodology conundrum in arts and dementia research. In: Arts and Dementia: Research into practice conference, 20-21 September 2016, Doctoral Training Centre for Arts and Dementia (TAnDem), University of Nottingham.

Camic, Paul M., Crutch, S., Murphy, Charlie, Firth, N., Harding, E., Harrison, C., Howard, S., Strohmaier, S., van Leeuwen, J., West, J., Windle, G., Wray, S. and Zeilig, H. (2018) Conceptualising and understanding artistic creativity in the dementias: interdisciplinary approaches to research and practice. Frontiers in Psychology, 9 (1842).


Eekelaar, C. (2011) Art gallery-based interventions in dementia care. D.Clin.Psychol. thesis, Canterbury Christ Church University.


Fox, K. (2019) Paddy the Cope, Michael Powell and the story of the unmade film. Donegal Annual: Journal of the Donegal Historical Society. (In Press)

Fox, K. (2009) What happens when nothing occurs in the films of Terence Malick. In: Nothing Happens: Narrative Suspension in Film and Video, Feb 2009, Canterbury Christ Church University, Canterbury, Kent, UK.

Frost, J. (2016) Fortune fish. [Image] (Unpublished)

Frost, J. (2016) Golden leaf. [Image] (Unpublished)

Frost, J. (2016) Jan Svankmajer: film as puppet theatre. Animation Studies, 11. ISSN 1930-1928.

Frost, J. (2016) Money and theft. [Image] (Unpublished)

Frost, J. (2016) The cabinet. [Video] (Unpublished)

Frost, J. (2016) The serious game: towards a hermeneutic understanding of the Tarot. The International Journal of the Image, 7 (2). pp. 15-32. ISSN 2154-8560.


Goodrum, M. (2016) “It must have been cold there in my shadow”: everyday heroism in superhero narratives. In: Wendt, S., ed. Extraordinary Ordinariness: Everyday Heroism in the United States, Germany, and Britain, 1800-2015. Frankfurt: Campus Verlag. pp. 249-270

Goodrum, M. (2014) ‘Oh c’mon, those stories can’t count in continuity!’ Squirrel Girl and the problem of female power. Studies in Comics, 5 (1). pp. 97-115. ISSN 2040-3232.

Goodrum, M. (2018) ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women. Gender & History, 30 (2). ISSN 1468-0424.

Gregory, P., ed. (2014) InSEA European Regional Congress: Tales of art and curiosity. Canterbury: CCCU and National Society for Education in Art and Design (NSEAD). ISBN 9780904684353.

Gulyás, A. (2010) Changing production ecology of regional media. In: European Media Management Education Association, 5-6 Feb 2010, University of Westminster, London.

Gulyás, A. (2010) Regional media in crisis? Structural and environmental challenges in the media in Kent. In: Open Research Seminar, 10 Dec 2009, Canterbury Christ Church University.


Hall, M. (2016) Dream vessels. In: Radio V and A, 26/2/16, The V and A Museum. [Artefact]

Hall, M. (2015) Dreamlands commissions (2014-15). In: Dreamlands Commissions, April 2014- Dec 2015, Worldwide. [Show/Exhibition]

Hall, M. (2016) Dreamspace (2016). In: Jerwood Open Forest 2016, Nov 2nd - Dec 11th, 2016, Jerwood Gallery, Jerwood Space, 171 Union St, London SE1 0LN. [Artefact]

Hall, M. (2018) Dreamspace 2 (2018). In: Art for the Environment Exhibition, 26 January – 18 March 2018, Nunnery Gallery, Bow Arts,181 Bow Road, London E3 2SJ. [Artefact]

Hall, M. (2015) Expanded radio art as PhD practice. Setup4 Magazine, 1 (2).

Hall, M. (2016) Expanding conceptions of sound: radio art as post digital practice. In: Sound Art Matters, june 1st - 4th 2016, Kunst Haus Gallery Aarhus DK Aarhus University. (Unpublished)

Hall, M. (2014) FM micro transmitter workshop. In: FM Micro Transmitter Workshop, 24th January 2014, The Beaney Museum, House of Art and Knowledge Canterbury,.

Hall, M. (2016) Forest radio callsigns. In: Jerwood Open Forest (2016), Nov 2nd - Dec 11th, 2016,, Jerwood Space London, 171 Union St, London SE1 0LN. [Artefact]

Hall, M. (2014) Hear. Now. Where? A participatory sonic taxi ambulation curated by Saout Radio, at the 5th Biennale of Marrakech. In: here. now. where?, 25th February-2nd March, 2014, 5th Biennial of Marrakech. [Artefact]

Hall, M. (2018) It’s on your head, it’s in your head: the artistic exploration of radio as material reflections on post-digital practice. In: Ignacio Gallego, J., Fernandez-Sande, M. and Limon, N., eds. Trends in Radio Research: Diversity, Innovation and Policies. Cambridge Scholars. pp. 151-159 ISBN 9781527513495

Hall, M. (2015) Keynote net station international conference, University of University of Minho, Bragga Portugal. In: Net Station International Radio Conference, 23-24 April 2015, University of Minho. (Unpublished)

Hall, M. (2014) Live radio interview at festival with audience. In: Tone Festival, 22nd June 2014, Tone Festival.

Hall, M. (2015) Magz Hall radio art research and practice - the sound of story 2015. In: The Sound Of Story 2015, 17th -18th 2016, Lighthouse Arts Brighton Pavilion. (Unpublished)

Hall, M. (2016) Mini FM transmitter-building workshop. In: Mini FM Transmitter-Building Workshop with Magz Hall, 28th Nov 2016, Jerwood Space, London. (Unpublished)

Hall, M. (2014) Outside sounds. In: Outside Sounds, 6th sept 2014, Extrapool, Nijmegen, Holland (Unpublished)

Hall, M. (2015) Overview of my radio art practice. In: Radio // Future Sounds Conference, 24th sept 2015, Brighton Digital Festival. (Unpublished)

Hall, M. (2017) Pirate radio workshop (Mini FM). In: Manchester Science Festival, 22nd Oct 2017, Museum of Science and Industry, Liverpool Road, M3 4FP Manchester, United Kingdom. (Unpublished)

Hall, M. (2017) Playback room sessions. In: Playback Room Talk, 27th Feb 2017, Tate Modern London. (Unpublished)

Hall, M. (2014) Radio Recall. In: UNSPECIFIED. [Artefact]

Hall, M. (2016) Radio Yak: Magz Hall. [Audio]

Hall, M. (2016) Radio art and pushing against gender assumptions of electronic 'tinkering' as a male preserve. In: Women in Sound: Women on Sound, 16th June 2016, Goldsmiths College, University of London. (Unpublished)

Hall, M. (2017) Radio art for the environment, radio art outside: dissolving the technological footprint of mixed media sound installations. In: Sound and the Environment, 29th June 2nd of July, University of Hull. (Unpublished)

Hall, M. (2015) ‘Radio play: voice as material’. In: Critical Waves, 26th March 2015, ICA, London. (Unpublished)

Hall, M. (2016) Radio reborn: radio art across borders. In: Transnational Radio Encounters, 5th - 8th July 2016, University of Utrecht. (Unpublished)

Hall, M. (2014) Radio recall installation. In: Radio Arts Showcase, 19th April-27th April 2014, Beaney House of Art and Knowledge, Canterbury. [Artefact]

Hall, M. (2012) SOUND::GENDER::FEMINISM::ACTIVISM - do you trust me - scientific research reaffirming vocal gender. In: SOUND::GENDER::FEMINISM::ACTIVISM 2013, 7th May 2013, London College of Communications.

Hall, M. (2014) Siren workshop. In: Siren Workshop, 1st Jan 2015, Whitstable Biennale.

Hall, M. (2014) Spiritual Radio (2014). In: Unbinding The Book, 26th-28th September, 2014, Whitechapel Gallery, London. [Artefact]

Hall, M. (2015) Spiritual Radio (2014). In: The Engine Room International Sound Art Exhibition, May 12th - June 12th, 2015, Morley Gallery, London. [Artefact]

Hall, M. (2015) Switched on. In: Switched On, 9 May, 2015, Beaney House of Art and Knowledge, Canterbury. [Show/Exhibition]

Hall, M. (2018) Transmission spores (2018). In: The Ash Archive, Jan 18 – April 14th 2018, Studio 3 Gallery Jarman Building, Kent University. [Artefact]

Hall, M. (2015) Transmitter workshop. In: Supernormal Festival, 7-9th August 2015, Braziers Park Ipsden OX10 6AN.

Hall, M. (2015) Tree radio. Reflections on Process in Sound, 4. pp. 80-87.

Hall, M. (2016) Voicing gender. In: Subversion of Reality, 22nd – 27th August, Place Des Arts, 175 Saint-Catherine St, Montreal, QC H2X 1Y9. [Artefact]

Hall, M. (2017) The construction of memory in radio art works. In: The Sound of Memory Symposium: Sound-track/Sound-scape, 22nd -24th April 2017, Goldmsiths College, London. (Unpublished)

Hall, M. (2018) The legacy of free radio on contemporary radio arts practice. In: The Radio Conference – A transnational Forum 2018, 10th-13th July, 2018, Monash University, Prato, Italy. (Unpublished)

Hall, M. (2015) A woman's work is never done. In: A Woman's Work is Never Done, 8 March, 2015, Google Cultural Institute (online exhibition). [Artefact]

Hall, M. (2015) Tree radio. In: Tree Radio, 1/9/15 until 1/9/16, Yorkshire Sculpture Park. [Artefact]

Hall, M. and Genetic, Moo (2017) Radiolaria Aeoliae Dreaming (2017). In: Profound Sound Festival Folkestone., 3rd - 5th Feb 2017, Quarter House Folkestone. [Artefact]

Hall, M., Genetic, Moo and Backhouse, J. (2014) Radio arts showcase. In: Radio Arts Showcase, 19-27 April 2014, Beaney House of Art and Knowledge Canterbury CT1 2RA. [Show/Exhibition]

Hawkins, B. (1999) 'Being in the Difficulty of To Be’, Young Children’s Drawings. In: Warwick Early Childhood Conference, Warwick.

Hawkins, B. and Long, T. (2008) Ghosts and grotesques. Department of Media - Canterbury Christ Church University. ISBN 978955923807.

Hayward, D. (2008) Bau Wow! A model for creative practice, thinking, learning, research and innovation in the 21st century. In: GLAD08: The Student Experience in Art & Design Higher Education: Action for Change, September 2008, Nottingham.

Hayward, D. (2007) Questioning assumptions on widening participation in art, design and media. Networks, 2. pp. 8-11.

Hurst, A. (2016) On slow violence. In: On Slow Violence, 18th-19th March 2016, University of Kent Jarman Studio 2. [Show/Exhibition]


Jones, T. (2004) Gum. [Video]

Jones, T. (2014) A youthful obsession. [Video]


Kent, A. J. (2019) The wondermaps of Max Gill. The Ephemerist, 184 (Spring). pp. 12-19.


Long, T. (2016) 'Goodbye Mr. Pixels'. In: Royal Academy of Arts Summer Exhibition, 13 June — 21 August 2016, Royal Academy of Arts, Burlington House, Piccadilly, London, W1J 0BD. [Artefact]

Long, T. (2008) Presentation of drawing machine. In: Digital Resources for the Humanities and Arts 2008: New Communities of Knowledge and Practice, 14-17 September 2008, Cambridge.

Long, T. (2015) The object says it all: intertexuality in artistic practice. A performance lecture. In: The object says it all: intertexuality in artistic practice, 17th March, 2015, Sidney Cooper Gallery. [Show/Exhibition]

Long, T. (2014) ‘Dada at King’s’, a musical and multimedia celebration of the Dada art movement. In: Dada at King's, 27th January, 2014, King's School Canterbury. [Performance]

Long, T., Moore, J., Wright, Matt, Hawkins, B. and Redhead, L. (2015) Performance lecture series 17th March 2015 – 6th April 2015. In: Performance Lecture Series 2015-16, 17th March - 6th April, 2015, Canterbury Christ Church University, Canterbury, Kent, UK. (Unpublished)


Manship, S. and Hatzidimitriadou, E. (2016) Psychosocial outcomes of the creative communications pilot project for people with dementia. In: 1st International Arts & Dementia Research Conference, 9-10 March 2017, Royal Society for Public Health, London.

McMillan, E. and Hawkins, B. (2014) Landscape and vision. Powell and Pressburger's 'A Canterbury Tale' 1944 - 2014. [Video] (Unpublished)

McMillan, E. and Hawkins, B. (2016) Our eyes see very little and very badly...the microscopic as space, place and metaphor in Murnau's Nosferatu. [Video] (Unpublished)

Meades, A. (2017) Arcade tales 4 - arcades, histories, photographs. In: UNSPECIFIED. [Artefact]

Meades, A. (2015) Understanding counterplay in video games. Routledge Advances in Game Studies. New York: Routledge. ISBN 9781138804920.


Newton, J. (2014) Progressive spaces and battlelines: Bristol Radical Film Festival. Necsus European Journal of Media Studies. ISSN 2213-0217.

Newton, J. (2016) 'The man who was only a silhouette: James Bond comic strips, animation, and the pulp tradition. In: Animation and the Comic Book Symposium, 30th September, 2016, Canterbury Christ Church University.

Novoslavska, I. (2016) English cultural identity within the context of the insider and outsider photographer. M.A. thesis, Canterbury Christ Church University.


Pole, R. (2018) Segmentation analysis of the visual art consumer at Turner Contemporary gallery. M.Sc. thesis, Canterbury Christ Church University.


Samson, E. (2019) Listening to ab(pre)scence: a derridean approach to the analysis of sound-image relations in early cinema. Ph.D. thesis, Canterbury Christ Church University.

Scoffham, S. and Consorte-McCrea, A. (2018) ‘Whole earth?’ using an exhibition to raise sustainability awareness at a UK University. Journal of Education for Sustainable Development, 12 (2). pp. 160-175. ISSN 0973-4082.

Shepherdson, K. (2017) As I lay dying. Photography & Culture, 10 (1). pp. 73-75. ISSN 1751-4517.

Shepherdson, K. (2015) Beyond the view: reframing early commercial seaside photography. In: Beyond the View: Reframing Early Commercial Seaside Photography, 2015, AHRC Website. [Show/Exhibition]

Shepherdson, K., Ball, Rob and Vincent, S. (2017) Between the tides: The coastal communities of Walpole Bay. In: UNSPECIFIED. [Artefact]

Shutt, D. (1999) The importance of drawing: from old masters to the 20th century: from an exhibition. Canterbury: Canterbury Museums Service. ISBN 1870844343.

Simpson, P. (1994) Two reports on the screen studies conference, Glasgow, 25–27 June 1993. Screen, 35 (2). pp. 195-196. ISSN 0036-9543.

Smith, Craig (2015) Motion comics: the emergence of a hybrid medium. Writing Visual Culture, 7. ISSN 2049-7180.

Stefanovski, G. (2009) From the Whitneys to Westworld: cinema, computers and the ''Expanded Field'' of media archaeology. In: Nothing Happens, Feb 2009, Canterbury Christ Church University, Canterbury, Kent, UK.

Stefanovski, G. (2009) Geschichten aus dem Wilden Osten (German Translation of Tales from the Wild East by Bonne, E.). In: UNSPECIFIED, ed. Wespennest. Vienna, Austria: Wespennest. pp. 45-49 ISBN 9783854581543

Stefanovski, G. (2009) Hotel Europa. In: Semil, M. and Marranca, B., eds. New Europe, New Voices. New York, USA: Performing Arts Journal. pp. 103-140 ISBN 978155540852

Stefanovski, G. (2009) Mala knjiga zamki (Serbian translation of A Little Book of Traps). Novi Sad: Sterijino Pozorje, Serbia. ISBN 978865145216.

Stefanovski, G. (2009) Odbrani drami. In: Smilevski, V., ed. 4 Selected Plays in the Macedonian Original Language. Bitola, Republic of Macedonia: Mikena. p. 299 ISBN 9789989551413

Stefanovski, G. (2009) Shooting stars in the new sky. In: Eastern Promises IETM General Plenary Meeting, Oct 2009, Vilnius, Lithuania.

Stefanovski, G. (2009) Tetovane Duse. Bratislava, Slovakia: Juga. ISBN 9788089030422.


Thomas, G., Crutch, S. and Camic, Paul M. (2017) Measuring physiological responses to the arts in people with dementia. International Journal of Psychophysiology. ISSN 0167-8760.

Tischler, V., Camic, Paul M. and Pearman, C. (2012) Viewing together: material objects, art-making and dementia care. In: British Psychological Society Annual Conference, 18th-20th April, London.


Vale, S. (2015) Behind the scenes. [Video] (Unpublished)

Vale, S. and Carlyle, A. (2015) Loop: the stupid things that adults do. Burton Press, Canterbury Christ Church University. ISBN 9780957163768.

Vale, S. and Takvam, M. (2013) Nostalgias: visualising longing. In: Nostalgias: Visual Longing Conference, 9th-10th November, 2013, The Winter Gardens, Margate. (Unpublished)


Webley, E. (2018) Time and again: exploring the relationship between memory and stop motion animation. M.A. thesis, Canterbury Christ Church University.

Williams, C. (2016) Charles Williams: Louise Bourgeois and other stories. In: Solo exhibition at Studio 1.1 Gallery, 4 November 2016, 57A Redchurch Street, London E2 7DJ. [Show/Exhibition]

Williams, C. (2017) Painting (Now) Steve And Leon 100 x 40 cm, oil on linen. In: UNSPECIFIED. [Artefact]

Williams, C. (2016) Paintings associated with the book 'Talking To Louise Bourgeois'. In: UNSPECIFIED. [Artefact]

Williams, C. (2017) Talking to Louise Bourgeois. London: Spiralbound Press.

Williams, C. (2016) Localism and legacy: WW1 in Faversham. In: Localism and legacy: WW1 in Faversham, 6-28 August 2016, Fleur De Lys Museum, Faversham. [Show/Exhibition]

Williams, C. and Latham, A. (2016) 'Grandfathers: painting the archive' text by Charles Williams, read by Alexis Latham. [Audio]


Young, Rhea, Tischler, V., Hulbert, S. and Camic, Paul M. (2015) The impact of viewing and making art on verbal fluency and memory in people with dementia in an art gallery setting. Psychology of Aesthetics, Creativity and the Arts. ISSN 1931-3896.

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Last edited: 29/06/2016 12:23:00