Items where Subject is "M Music and Books on Music > ML Literature on music > ML3800 Philosophical and societal aspects of music. Physics and acoustics of music. Physiological aspects of music > ML3916 Social and political aspects of music"

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Number of items at this level: 21.

A

Allinson, D. (2017) Museum pieces? sixteenth-century sacred polyphony and the modern English tradition of A Cappella performance. Early Music Performer, 41. pp. 3-9. ISSN 1477-478X.

B

Blackman, S. J. (2013) Mods! A cosmopolitan youth subculture? In: Teenage Kicks: The Representation of Youth Subcultures in Fiction, Film and Theory, 11th-13th July, 2013, Keele University.

Blackman, S. J. (2011) Mods! Subaltern cosmopolitanism of a utopian and dystopian youth subculture. In: Subcultures, Popular Music and Social Change - A Cross Disciplinary Symposium, 15th-16th September, 2011, London Metropolitan University.

N

Nanayakkara, G. (2016) Cover songs and copyright law: A Sri Lankan case study. In: International Conference on Asian Studies, 11-12 June 2016, Toronto, Canada.

Nanayakkara, G. (2016) Covering the cover: copyright law and covering in Sri Lankan music. Judicial Services Association Law Journal, IV. pp. 87-98. ISSN 2357-2884.

Nanayakkara, G. (2016) Hello… it’s the singers from the other side: Sinhala Singers’ Performers’ rights dream. New IP Lawyers Blog.

Nanayakkara, G. (2016) “Hello… it’s the singers from the other side: Sinhala Singers’ Performers’ rights dream”. [Video]

Nanayakkara, G. (2016) Performers' rights regime in Sri Lankan music: Did we get it right? In: Law Asia Golden Jubilee Conference, 12-15 Aug 2016, Colombo, Sri Lanka.

Nanayakkara, G. (2016) Performers’ rights regime in Sri Lankan music: Did we get it right? In: Law Asia Golden Jubilee Conference, 12-15 Aug 2016, Colombo, Sri Lanka.

Nanayakkara, G. (2014) Performers’ rights regime in the Sri Lankan music industry: ten years on. In: Law and Boundaries Conference, 9-20 May, 2014, Science Po, Paris. (Unpublished)

Nanayakkara, G. (2014) Performers’ rights regime in the Sri Lankan music industry: ten years on. In: Law and Boundaries Conference, 19 - 20 May 2014, Science Po, Paris. (Unpublished)

Nanayakkara, G. (2015) 'Promise and perils of Sri Lankan performers' rights: The royalty collection in music'. In: Society of Legal Scholars Conference, 1 - 4 September 2015, York. (Unpublished)

Nanayakkara, G. (2015) Promise and perils of Sri Lankan performers' rights: the royalty collection in music. In: The Society of Legal Scholars Annual Conference 2015, 1-4 Sept 2015, University of York.

Nanayakkara, G. (2017) Promise and perils of Sri Lankan performers’ rights: the royalty collection in music. European Journal of Current Legal Issues, 22 (1). ISSN 2059-0881.

Nanayakkara, G. (2015) Review of Intellectual Property Law by Lionel Bentley and Brad Sherman. The Law Teacher, 50 (2). pp. 268-270. ISSN 0306-9400.

Nanayakkara, G. (2015) Sri Lankan performers' rights. Rivira Sunday Newspaper Sri Lanka.

Nanayakkara, G. (2012) Mimesis, cover versions and the commercial vocalists’ dilemma; Sri Lankan perspective. International Conference on Asian Studies.

P

Price, C. (2016) Bourgeois self-representation: a methodological case-study in musical iconography. In: “Images of Music-Making and Its Trans-Cultural Exchanges”; Fourteenth symposium of the ICTM Study Group for Iconography of the Performing Arts, 27th–31st October, 2016, Xi’an Conservatory of Music; Xi’an, China.

Price, C. (2016) The English catch and glee – from drunken debauchery to civic respectability. In: Invited Lecture, 4th November, 2016, Chinese University of Hong Kong.

Price, C. (2016) Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club. In: The Musical Salon in Visual Culture; 16th Association Répertoire International d’Iconographie Musicale Conference, 7th-9th Sepember, 2016, St Petersburg, Russia.

R

Rhodes, D. (2014) FAN - A novel. London: Arcadia Books. ISBN 9781909807808.

This list was generated on Thu Mar 21 22:49:45 2019 UTC.

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Last edited: 29/06/2016 12:23:00