Items where Subject is "M Music and Books on Music > ML Literature on music > ML0159 History and criticism > ML3780 Music on particular topics"

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Curry, B. (2010) Musical semiotics in action: applying and debating Hatten’s semiotics in a musico-dramatic context. Studies in Musical Theatre, 4 (1). pp. 53-65. ISSN 1750-3159.


Long, T. (2014) ‘Dada at King’s’, a musical and multimedia celebration of the Dada art movement. In: Dada at King's, 27th January, 2014, King's School Canterbury. [Performance]


McKay, N. (2014) Dialogising Stravinsky: a topic theory and gestural interpretation. In: UNSPECIFIED, ed. Igor Stravinsky: Sounds and Gestures of Modernism. Brepols Publisher. ISBN 9782503553252

McKay, N. (2016) Introversive and extroversive processes: rethinking Stravinsky's music as dialogue between formalist and expressive paradigms. In: Hawes, V. and Redhead, L., eds. Music and/as Process. Cambridge Scholars Publishing. pp. 10-33 ISBN 9781443894913

McKay, N. (2016) Review: Danuta Mirka (ed.), The Oxford Handbook of Topic Theory. Eighteenth-Century Music, 13 (1). pp. 110-113. ISSN 1478-5706.

McKay, N. (2016) Review: Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (Oxford and New York: Oxford University Press, 2014). xxiv + 328 pp. $58/£37.49. ISBN 978-0-19-974293-6 (hb). Music Analysis, 35 (1). pp. 119-126. ISSN 1468-2249.

McKay, N. (2018) Stravinsky’s opera in a postmodern age: an intermedial semiotic reading. In: Maeder, C. and Reybrouck, M., eds. Making Sense of Music: Studies in Musical Semiotics. Leuven: Leuven University Press. pp. 387-402 ISBN 978-2-87558-640-7

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Last edited: 29/06/2016 12:23:00