Items where Subject is "M Music and Books on Music > ML Literature on music > ML0159 History and criticism"

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Number of items at this level: 13.


Buurman, E. (2014) The Viennese forerunners of the “Diabelli Project”. Arietta, 8. pp. 21-28. ISSN 1465-9387.


Igweonu, K. (2016) ‘The tree has four or five leaves’: Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain. In: Tucker, D. and McTighe, T., eds. Staging Beckett in Great Britain. London: Bloomsbury Methuen Drama. pp. 141-151 ISBN 9781474240178


McKay, N. (2014) Dialogising Stravinsky: a topic theory and gestural interpretation. In: UNSPECIFIED, ed. Igor Stravinsky: Sounds and Gestures of Modernism. Brepols Publisher. ISBN 9782503553252

McKay, N. (2016) Review: Danuta Mirka (ed.), The Oxford Handbook of Topic Theory. Eighteenth-Century Music, 13 (1). pp. 110-113. ISSN 1478-5706.

McKay, N. (2016) Review: Maureen A. Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (Oxford and New York: Oxford University Press, 2014). xxiv + 328 pp. $58/£37.49. ISBN 978-0-19-974293-6 (hb). Music Analysis, 35 (1). pp. 119-126. ISSN 1468-2249.

McKay, N. (2018) Stravinsky’s opera in a postmodern age: an intermedial semiotic reading. In: Maeder, C. and Reybrouck, M., eds. Making Sense of Music: Studies in Musical Semiotics. Leuven: Leuven University Press. pp. 387-402 ISBN 978-2-87558-640-7

McKay, N. (2018) Où en est la théorie des topiques aujourd’hui. In: Grabocz, M., ed. Narratologie musicale. Topiques, théories et stratégies analytiques. Editions des Archives Contemporaines. (In Press)

Merchant, P. (2004) Review of Thomas McGeary, 'Verse epistles on Italian opera singers, 1724-1736'. The Scriblerian and the Kit-Kats, 36 (2). pp. 160-161. ISSN 0190-731X.


Rawson, R. (2017) Concertos ‘upon the stage’ in Early Hanoverian London: the Instrumental Counterpart to opera seria. In: DeSimone, A. and Gardner, M., eds. Music, Theatre, and the Benefit Performance. Cambridge: Cambridge University Press. (In Press)

Rawson, R. (2014) 'Harmonia Anglicana, or why finger failed in 'The Prize Musick'. In: Lowerre, K., ed. The Lively Arts of The London stage, 1675–1725. Farnham: Ashgate. pp. 27-46 ISBN 9781409455332

Redhead, L. (2016) Notation as process: interpreting open scores and the ‘journey form’. In: Redhead, L. and Hawes, V., eds. Music and/as Process. Newcastle: Cambridge Scholars. pp. 116-133 ISBN 9781443894913

Redhead, L. (2014) Quotation and psychogeographic experience as repetition in the music of Bernhard Lang and Chico Mello. Contemporary Music Review, 33 (4). pp. 148-166. ISSN 0749-4467.

Redhead, L. (2015) The beautiful and the political. Contemporary Music Review, 34 (2). pp. 247-255. ISSN 0749-4467.

This list was generated on Tue Sep 17 05:31:15 2019 UTC.


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Last edited: 29/06/2016 12:23:00