Items where Subject is "M Music and Books on Music > M Music > M1495 Vocal music > M1497 Secular vocal music"

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Price, C. (2014) As Thomas Was Cudgell’d One Day By His Wife: rediscovering the music of the Canterbury Catch Club. In: 16th Biennial International Conference on Baroque Music, 9th-12th July, 2014, Salzburg, Austria.

Price, C. (2016) Bourgeois self-representation: a methodological case-study in musical iconography. In: “Images of Music-Making and Its Trans-Cultural Exchanges”; Fourteenth symposium of the ICTM Study Group for Iconography of the Performing Arts, 27th–31st October, 2016, Xi’an Conservatory of Music; Xi’an, China.

Price, C. (2016) The Canterbury Catch Club: a performance of class. In: 13th Conference of the ICTM Study Group on Iconography of the Performing Arts “Decoration of Performance Space: Meaning and Ideology", 17th-20th May, 2016, Venice, Italy.

Price, C. (2016) The English catch and glee – from drunken debauchery to civic respectability. In: Invited Lecture, 4th November, 2016, Chinese University of Hong Kong.

Price, C. (2016) Harmony and unanimity? – the bourgeois self-image of the Canterbury Catch Club. In: The Musical Salon in Visual Culture; 16th Association Répertoire International d’Iconographie Musicale Conference, 7th-9th Sepember, 2016, St Petersburg, Russia.

Price, C. (2015) On mathematics, marrow-bones and marriage. In: UNSPECIFIED, ed. The Edinburgh Companion to Literature and Music. EUP. (In Press)

Price, C. (2014) The Serpentine River is Coming Upstairs: rediscovering the music of the Canterbury Catch Club. In: The Serpentine River is Coming Upstairs: Rediscovering the Music of the Canterbury Catch Club, 18th July, 2014, Canterbury Cathedral Archives Reading Room.

Price, C. (2015) Unsung singers: the musicians of Canterbury 1770-1865. In: Unsung Singers: the Musicians of Canterbury 1770-1865, 10th June, 2015, Canterbury Christ Church University, Kent, UK.

Price, C. (2015) An evening with the Canterbury Catch Club. [Show/Exhibition]


Rawson, R. (2017) Concertos ‘upon the stage’ in Early Hanoverian London: the Instrumental Counterpart to opera seria. In: DeSimone, A. and Gardner, M., eds. Music, Theatre, and the Benefit Performance. Cambridge: Cambridge University Press. (In Press)

Rawson, R. (2016) Johann Christoph Pepusch, Venus and Adonis (masque in two acts), 1715, Ramée 1502, 2016. [Audio]

Rawson, R. (2014) 'Harmonia Anglicana, or why finger failed in 'The Prize Musick'. In: Lowerre, K., ed. The Lively Arts of The London stage, 1675–1725. Farnham: Ashgate. pp. 27-46 ISBN 9781409455332

This list was generated on Sat Mar 17 22:11:38 2018 UTC.


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Last edited: 29/06/2016 12:23:00