Items where Subject is "M Music and Books on Music > M Music"

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Article

Bowman, P. (1999) The quarter-tone recorder manual. Journal of the Swiss Group for Youth Music, 27. pp. 24-31.

Bungay, H., Clift, S. M. and Skingley, A. (2010) The Silver Song Club Project: A sense of well-being through participatory singing. Journal of Applied Arts and Health, 1 (2). pp. 165-178. ISSN 2040-2457.

Burwell, K. L. (2006) On musicians and singers: an investigation of different approaches taken by vocal and instrumental teachers in higher education. Music Education Research, 8 (3). pp. 331-347. ISSN 1469-9893.

Burwell, K. L. (2005) A degree of independence: teachers' approaches to instrumental tuition in a university college. British Journal of Music Education, 22 (3). pp. 199-215. ISSN 14692104.

Clift, S. M. (2010) Let the music play. British Journal of Wellbeing, 1 (1). pp. 15-17. ISSN 2043-9393.

Clift, S. M. (2010) Singing for health: a musical remedy. British Journal of Wellbeing, 1 (6). pp. 19-21. ISSN 2043-9393.

Clift, S. M. and Hancox, G. (2001) The perceived benefits of singing: findings from preliminary surveys of a university college choral society. The Journal of the Royal Society for the Promotion of Health, 121 (4). pp. 248-256. ISSN 1476-9042.

Clift, S. M. and Hancox, G. (2010) The significance of choral singing for sustaining psychological wellbeing: findings from a survey of choristers in England, Australia and Germany. Music Performance Research, 3 (1). pp. 79-96. ISSN 1755‐9219.

Clift, S. M., Hancox, G., Morrison, I., Hess, B., Kreutz, G. and Stewart, D. (2010) Choral singing and psychological wellbeing: quantitative and qualitative findings from English choirs in a cross-national survey. Journal of Applied Arts and Health, 1 (1). pp. 19-34. ISSN 2040-2457.

Dean, J. (2014) Pat Metheny's Finger Routes: the role of muscle memory in guitar Improvisation. Jazz Perspectives, 8 (1). pp. 45-71. ISSN 1749-4060.

Downes, M. (1994) Wagner and the musicien Francais: an interpretation of Debussy's criticism. Cahiers Debussy. pp. 17-18. ISSN 0395-1200.

Gee, K. (2016) Centre story: conversations with virtuoso young conductors; Andrew Gourlay and Jamie Phillips. The Brass Herald. pp. 46-47.

Mantzourani, E. (2005) All we need is geniuses. Annals of Aesthetics (Annales d’Esthétique), 43. pp. 109-120. ISSN 1105-0462.

Mantzourani, E. (2004) Nikos Skalkottas: sets and styles in the Octet. The Musical Times, 145. pp. 73-86. ISSN 0027-4666.

Mantzourani, E. (2004) Tonal influences and the reinterpretation of classical forms in the twelve-note works of Nikos Skalkottas. ex tempore, 12 (1). pp. 47-65.

Mantzourani, E. (2001) The disciple’s tale: the reception and assimilation of Schoenberg’s teachings on Grundgestalt, coherence and comprehensibility by his pupil, the composer Nikos Skalkottas. The Journal of the Arnold Schoenberg Center, 3. pp. 227-238. ISSN 390201203X.

Rawson, R. (2007) Clangor tubarum: A response to Peter Downey. Early Music, 35 (1). p. 165. ISSN 0306-1078.

Rawson, R. (2005) Gottfried Finger's Christmas pastorellas. Early Music, 33 (4). pp. 591-606. ISSN 1741-7260.

Rawson, R. (2007) Poglietti's Ricercare: open-score keyboard music and the implications for ensemble performance. Early Music Performer, 20. pp. 10-15. ISSN 1477-478X.

Redhead, L. (2017) Entoptic landscape and ijereja: music as an iterative process. New Sound: International Journal of Music, 49. ISSN 1821-3782. (In Press)

Skingley, A. and Bungay, H. (2010) The Silver Song Club Project: singing to promote the health of older people. British Journal of Community Nursing, 15 (3). pp. 135-140. ISSN 1462-4753.

Skingley, A., Clift, S. M., Coulton, S. and Rodriguez, J. (2011) The effectiveness and cost-effectiveness of a participative community singing programme as a health promotion initiative for older people: protocol for a randomised controlled trial. BMC Public Health, 11 (1). p. 142. ISSN 1471-2458.

Skingley, A. and Vella-Burrows, T. (2010) Therapeutic effects of music and singing for older people. Nursing Standard, 24 (19). pp. 35-41. ISSN 0029-6570.

Von Lob, G., Camic, Paul M. and Clift, S. M. (2010) The use of singing-in-a-group as a response to adverse life events. International Journal of Mental Health Promotion, 12 (3). pp. 45-53. ISSN 1462-3730.

Young, V., Burwell, K. L. and Pickup, D. (2003) Areas of study and teaching strategies in instrumental teaching: a case study research project. Music Education Research, 5 (2). pp. 139-155. ISSN 1469-9893.

Book Section

Burwell, K. L., Young, V. and Pickup, D. (2004) The dynamics of the instrumental tutorial. In: Hunter, D., ed. How am I doing? Valuing and rewarding learning in musical performance in Higher Education. Ulster University Press. pp. 22-33 ISBN 1859231780

Cottrell, S. and Mantzourani, E. (2006) The clarinet and its players in Eastern Europe and Greece. In: Heaton, R., ed. The Versatile Clarinet. Abingdon, UK: Routledge. pp. 31-46 ISBN 9780415973175

Hawes, V. (2013) Familiarity, information and musicological efficiency. In: King, E. and Prior, H., eds. Music and Familiarity: Listening, Musicology and Performance. SEMPRE Studies in the Psychology of Music. Farnham: Ashgate. pp. 157-173 ISBN 9781409420750

Hawes, V. (2016) Perception of structure as a learning process in a Schoenberg song. In: Redhead, L. and Hawes, V., eds. Music and/as process. Newcastle: Cambridge Scholars. pp. 66-87 ISBN 9781443894913

Mantzourani, E. (2004) In the greater scheme of things: musical form in the twelve-note works of Nikos Skalkottas. In: Wanek, N.-M., ed. Nikos Skalkottas (1904-1949): Zum 100. Geburtstags. Vienna: Der Osterreichischen Akademie der Wissenschaften. pp. 71-101 ISBN 9783700137221

Mantzourani, E. (2004) Tobacco and music. In: Goodman, J., ed. Tobacco in History and Culture: An Encyclopedia. Detroit, USA: Charles Scribner's Sons. pp. 364-369 ISBN 9780684314051

Rawson, R. (2015) Sublime et merveilleux dans les pastorales de Noël tchèques des xviie et xviiie siècles. In: Hache, S. and Favier, T., eds. Á la croisé des art: Sublime et musique religieuse en Europe (XVII–XVIII siècles). Musique et littérature (4). Paris: Classiques Garnier. pp. 123-135 ISBN 9782812446788

Wright, Matt (2008) Monsta. In: Riu, E., ed. Elena Riu's R&B Collection. London, UK: Boosey and Hawkes. pp. 22-24 ISBN 9790060118814

Report

Bungay, H. and Skingley, A. (2008) The Silver Song Club Project: A formative evaluation. Project Report. Canterbury: Canterbury Christ Church University.

Clift, S. M., Hancox, G., Morrison, I., Hess, B., Stewart, D. and Kreutz, G. (2008) Choral singing, wellbeing and health: findings from a cross-national survey. Project Report. Canterbury: Canterbury Christ Church University.

Conference or Workshop Item

Blackman, S. J. (2011) Mods! Subaltern cosmopolitanism of a utopian and dystopian youth subculture. In: Subcultures, Popular Music and Social Change - A Cross Disciplinary Symposium, 15th-16th September, 2011, London Metropolitan University.

Bowman, P. and Bennetts, K. (1999) The quarter-tone recorder manual. In: International Recorder Symposium, 5-7 Feb 1999, Stuttgart, Germany.

Burwell, K. L. (2009) Apprenticeship in music. In: Reflective Conservatoire Conference, March 2009, Guildhall School of Music and Drama.

Burwell, K. L. (2009) The pathway to success: Exploring the relationship between ends and means in instrumental lessons. In: Research in Music Education International Conference, April 2009, University of Exeter, Devon, UK.

Clift, S. M. (2008) Current research on singing and health within the Sidney De Haan Research Centre for arts and health, UK. In: 19th Annual International Conference of the Society for Arts in Healthcare, 16 - 19 April 2008, Philadelphia.

Clift, S. M. (2007) The development of a model for a cost-benefit analysis of community music activity with older people. In: Through the Looking Glass: Critical Connections Summit, 30 November 2007, Carriageworks Theatre, Leeds.

Clift, S. M. and Hancox, G. (2007) Mobilising the power of singing in promoting wellbeing and health. In: Vocal Cords: Connecting Body and Mind, 25 October 2007, Royal Northern College of Music, Manchester.

Clift, S. M. and Morrison, I. (2009) Singing for health: an overview of the work of the Sidney De Haan Research Centre for Arts and Health. In: AIRS Start-up Conference, June 2009, University of Charlottetown, Prince Edward Island, Canada.

Dean, J. (2009) Pat Metheny's Finger Routes. In: Pat Metheny's Finger Routes, Nov 2009, University of Southern California, USA.

Dean, J. (2016) Pat Metheny's finger routes: the role of muscle memory in guitar improvisations - research seminar at Surrey University. In: Research Seminar, 23rd November, 2016, University of Surrey.

Edlin, P. (2009) Address as incoming Warden of Composers and Performers Section. In: Incorporated Society of Musicians Annual Conference, April 2009, Yorkshire, UK.

Edlin, P. (2010) S is for signs, symbols and secrets. In: S is for Signs, Symbols and Secrets, 5 May 2010, Canterbury.

Ghikas, P. (2015) The Film Sextet: a performance malfunction and the wrong audience. In: GLITCH 2015: The Politics and Poetics of Failure, Error, Disorder and Noise, 14th December, 2015, Canterbury Christ Church University, Canterbury, UK.

Hancox, G. (2009) Maxwell Davies and performer/composer relationship. In: Maxwell Davies and Performer/Composer Relationship, March 2009, Canterbury, Kent, UK.

Hancox, G. (2009) Mendelssohn: A life through performance. In: Mendelssohn: A life through performance, Nov 2009, University of the Third Age, Canterbury, Kent, UK.

Hancox, G. (2009) Singing on prescription. In: Singing on Prescription, Feb 2009, University of the Third Age, Bury St. Edmonds, Suffolk, UK.

Hancox, G. and Clift, S. M. (2008) Mechanisms linking active participation in choral singing with benefits for wellbeing and health. In: Choral Singing and Wellbeing, April 2008, Stockholm, Sweden.

Hancox, G., Clift, S. M. and Morrison, I. (2009) What do singers say about the effects of choral singing on physical health? In: AIRS Start-up Conference, June 2009, University of Charlottetown, Prince Edward Island, Canada.

Hancox, G., Clift, S. M., Morrison, I., Hess, B., Kreutz, G. and Stewart, D. (2007) Choral singing and psychological wellbeing: findings from English choirs in a cross-national survey using the WHOQOL-BREF. In: Inspiring Transformations: The Arts and Health, 3 - 6 September 2007, University of Northampton.

Hancox, G., Clift, S. M., Morrison, I., Hess, B., Kreutz, G. and Stewart, D. (2007) Choral singing and psychological wellbeing: findings from English choirs in a cross-national survey using the WHOQOL-BREF. In: International Symposium on Performance Science, 22 - 23 November 2007, Porto, Portugal.

Mantzourani, E. (2008) Charles Gounod's Ave Maria: textual versus performance analyses. In: CIM08: Fourth Conference on Interdisciplinary Musicology, 2-6 July 2008, Thessaloniki, Greece.

Mantzourani, E. (2007) Coherence, Formenlehre and sonata deformation in the dodecaphonic works of Nikos Skalkottas. In: 6th European Music Analysis Conference, 10 - 14 October 2007, Freiburg, Germany.

Mantzourani, E. (2009) The Return of Odysseus: Literary and musical approaches to exile, nostalgia and return in Nikos Skalkottas's life and work. In: Joint Annual Conference of the Society for Musicology in Ireland and the Royal Musical Association, 2009, Royal Irish Academy of Music, Dublin, Ireland.

Rawson, R. (2010) Das Lied von der Erde - a song cycle or a symphony? In: Sounds New Festival, May 2010, International Study Centre, Canterbury Cathedral, Canterbury, UK.

Rawson, R. (2010) German moon, Czech fire: a meeting point of national perceptions in eighteenth-century music. In: Eastern European Music: Musical Crossroads?, June 2010, Faculty of Music, Oxford University, Oxford, UK.

Rawson, R. (2009) The Ingenious Mr Finger. In: The International Baryton Symposium, April 2009, Sibelius Academy, Helsinki, Iceland.

Rawson, R. (2010) The Italian-style concerto in the Czech lands in the early eighteenth century: some overlooked sources and implications for musical style and performance. In: The 14th Biennal International Conference on Baroque Music, 30 June - 4 July 2010, Queen's University, Belfast, UK.

Rawson, R. (2009) Musical contexts and the Habsburg Rehabilitation of Czech Saints. In: Sacred Music in the Habsburg Empire 1619-1740 and its contexts, Nov 2009, Roosevelt Academy, Middelburg, The Netherlands.

Rawson, R. (2009) Notational issues and the evocation of the ''Barbaric Beauty'' of Moravian folk music in the Seventeenth Century. In: International Association of Music Libraries/ International Musicological Society, July 2009, Amsterdam Conservatory, Holland.

Rawson, R. (2008) Patterns of provincial piety in Bohemia: the domestication of liturgy and its effect on music. In: 13th Biennial International Conference on Baroque Music, 2-6 July 2008, Leeds.

Rawson, R. (2010) Stylo bohemo: Czechness in music c. 1600-1750. In: Research Seminar Series, Feb 2010, Canterbury Christ Church University.

Rawson, R. (2008) The context and content of Czech-language liturgical music in the 17th century: some questions. In: Early Music: Context and Ideas II, 11-14 September 2008, Krakow, Poland.

Watkins, R. E. and Chapman, J. (2009) After Scarletti. In: Collaborative Processess in Music Making, Nov 2009, University of Surrey, UK.

Wright, Matt (2009) Electronics in Live Performance. In: Electronics in Live Performance, Nov 2009, Goldsmith College, London, UK.

Book

Bowman, P., Bennetts, K. and Bousted, D. (1998) The quarter-tone recorder manual. Moeck.

Gee, K. and Hawes, V. (2017) Abstracts of the International Symposium on Performance Science 2017. Reykjavik: Iceland Academy of the Arts. ISBN 9789935937803.

Philpott, C. (2001) Learning to Teach Music in the Secondary School. London: RoutledgeFalmer. ISBN 0415158338.

Rawson, R. and Wagner, P. (2009) The complete music for Solo Viola da Gamba by Gottfried Finger. 2nd ed. Teddington, UK: Fretwork. ISBN 9781898131229.

Edited Book

Harvey, J., Downes, M., ed. (1999) Music and inspiration. London, UK: Faber & Faber. ISBN 9780571200252.

Mantzourani, E., ed. (2010) Music and numbers 2010 conference proceedings. Canterbury: Canterbury Christ Church University. ISBN 9781899253760.

Vejvanovsky, S., Rawson, R., ed. (2009) Salve Regina by Pavel Vejvanovsky (c. 1633-1694). London, UK: Green Man Press.

Wagner, N., Osers, E. and Downes, M., eds. (2000) The Wagners: Drama of a musical dynasty. London, UK: Weidenfeld & Nicholson. ISBN 9780297643159.

Thesis

Bailey, S. (2013) A practice-led investigation into improvising music in contemporary Western culture. Ph.D. thesis, Canterbury Christ Church University.

Bennetts, K. (2016) Solo recorder music of the 1990s: analytical approaches to the repertoire and its performance. Ph.D. thesis, Canterbury Christ Church University.

Swadley, J. (2014) The Villancio in New Spain 1650-1750: morphology, significance and development. Ph.D. thesis, Canterbury Christ Church University.

Show/Exhibition

Hall, M. (2015) Switched on. [Show/Exhibition]

Composition

Edlin, P. (1995) Borobudur for large orchestra. [Composition]

Edlin, P. (2004) Five fantastic islands for flute, clarinet, viola, cello, percussion and piano. [Composition]

Edlin, P. (1997) Prambanam: Concerto for oboe d'amore, trombone, percussion and 22 solo strings. [Composition]

Edlin, P. (2005) Three Old Gramophones. [Composition]

Edlin, P. (1999) Towers of the God King. [Composition]

Edlin, P. (2009) A chain of wonders. [Composition]

Edlin, P. (2009) Ô saisons, ô chateaux (for soprano, string quartet and electronic keyboard). [Composition]

Ghikas, P. (2016) Unreal-time improv - Open Cycle collaborations. [Composition] (Unpublished)

Gower, A. (2009) As it was bright for flute, vibraphone, cello and electronics. [Composition]

Henshall, D. (1996) Nocturne & Aubade for solo harp. [Composition]

Henshall, D. (2000) Sonata for violin and harp. [Composition]

Henshall, D. (1995) Springrise for Soprano. [Composition]

Henshall, D. (2000) Three Welsh dances for solo harp. [Composition]

Salem, S. (2014) Too late, too far (2014). [Composition] (Unpublished)

Salem, S. (2014) The fall: part I (2014). [Composition] (Unpublished)

Stillman, R. (2009) Film score: Films of Emile Cohl - 'Black n White' series at Rag n Bone Co. [Composition]

Stillman, R. (2009) Films of Emile Cohl. [Composition]

Stillman, R. (2009) Master Box. [Composition]

Stillman, R. (2009) Masterbox. [Composition]

Watkins, R. E. (2009) After Scarlatti. [Composition]

Watkins, R. E. (2005) Breath song cycle to poems by George Szirtes (16’). [Composition] (Unpublished)

Watkins, R. E. (2004) Clarinet quintet (15’). [Composition] (Unpublished)

Watkins, R. E. (1997) The Juniper Tree: a chamber opera. [Composition]

Watkins, R. E. (2007) Kane no koe for soprano, chamber ensemble and electronics (12’). [Composition] (Unpublished)

Watkins, R. E. (1996) Light's Horizon for orchestra. [Composition]

Watkins, R. E. (1998) Red Light: chamber orchestra. [Composition]

Watkins, R. E. and Henze, H. W. (2003) Electronic music for Hans Werner Henze’s opera L' Upupa und der Triumph der Sohnesliebe (143’). [Composition]

Performance

Bowman, P. (1998) A journey among travellers. [Performance]

Bowman, P. and Bennetts, K. (2000) Die blockflocte in der nuen medienland schaft. [Performance]

Burwell, K. L. (1995) From an artist in Egypt. [Performance]

Burwell, K. L. (1999) Recital : Bach Busoni - ''Chaconne'', Beethoven - ''Sonata Op 101'', Chopin - ''Scherzo Op 54'', Scriabin - ''Sonata Op 37'' and Ginastera - ''Argentinian Dances''. [Performance]

Burwell, K. L. and Nelsen, L. (1999) At the horizon. [Performance]

Burwell, K. L. and Nelsen, L. (1996) Songs of sea and sky. [Performance]

Campbell, D. (1997) Agnostic for clarinet, strings and percussion. [Performance]

Campbell, D. (1995) Clarinet Quintet. [Performance]

Campbell, D. (1999) River of crystal light for clarinet, strings, harp and piano. [Performance]

Dean, J. (2009) Fusion ensemble. [Performance] (Unpublished)

Dean, J. (2009) Fusion ensemble. [Performance] (Unpublished)

Dean, J. (2009) Making tracks. [Performance] (Unpublished)

Dean, J. (2009) Spaces. [Performance] (Unpublished)

Dean, J. (2009) Spaces. [Performance] (Unpublished)

Dean, J. (2016) Here and now - Pathway Records Festival. [Performance] (Unpublished)

Dean, J. (2015) Here and now - premier. [Performance] (Unpublished)

Dean, J. and Smith, R. (2009) L.A. Chillharmonic. [Performance] (Unpublished)

Dimitrova, L. (1996) Al di la della sguro. [Performance] (Unpublished)

Dimitrova, L. (1996) Al di la della sguro. [Performance] (Unpublished)

Dimitrova, L. (1996) Bartok: Piano Concerto No 3. [Performance] (Unpublished)

Dimitrova, L. (1996) Bartok: Piano Concerto No 3. [Performance] (Unpublished)

Dimitrova, L. (1999) Scenes for piano no3, Op 68, Bretagne. [Performance] (Unpublished)

Dimitrova, L. (1999) Scenes for piano no3, Op 68, Bretagne. [Performance]

Dimitrova, L. (1999) Scenes for piano no3, Op 68, Bretagne. [Performance] (Unpublished)

Dimitrova, L. and Weinmeister, H. (1996) Anton Webern's Stucke Op7: Bartok Sonata No 1 for violin and piano. [Performance] (Unpublished)

Edlin, P. (1995) Borobudur for large orchestra. [Performance] (Unpublished)

Edlin, P. (2004) Five fantastic islands for flute, clarinet, viola, cello, percussion and piano. [Performance]

Edlin, P. (2004) Five fantastic islands for flute, clarinet, viola, cello, percussion and piano. [Performance]

Edlin, P. (2004) Five fantastic islands for flute, clarinet, viola, cello, percussion and piano. [Performance]

Edlin, P. (2010) Glimpses of the Rubaiyat. [Performance] (Unpublished)

Edlin, P. (2009) Luciano Berio Folksongs. [Performance] (Unpublished)

Edlin, P. (2009) Momentary Horizons. [Performance]

Edlin, P. (1997) Prambanam: Concerto for oboe d'amore, trombone, percussion and 22 solo strings. [Performance]

Edlin, P. (2000) Translations of the night. [Performance] (Unpublished)

Edlin, P. (2009) Vincero. [Performance] (Unpublished)

Edlin, P. (2011) The pathos of lost meaning. [Performance] (Unpublished)

Edlin, P. (2009) Ô saisons, ô chateaux (for soprano, string quartet and electronic keyboard). [Performance]

Hancox, G. (1994) Britten: War Requiem. [Performance]

Hancox, G. (2009) Chance incantation and dance. [Performance] (Unpublished)

Hancox, G. (2009) Finzi: My spirit. [Performance] (Unpublished)

Hancox, G. (2009) Finzi: My spirit. [Performance] (Unpublished)

Hancox, G. (2009) Finzi: My spirit. [Performance] (Unpublished)

Hancox, G. (2000) Giacomo Carissimi's Jephte: Oratorio for 6 voices and continuo. [Performance]

Hancox, G. (2009) Handel's Messiah. [Performance] (Unpublished)

Hancox, G. (2009) Handel's Zadok & Rheinberger's Mass in Eb. [Performance] (Unpublished)

Hancox, G. (2009) Handel, Finzi, Weelkes. [Performance] (Unpublished)

Hancox, G. (2009) Hosannah Britten, Flower Songs. [Performance] (Unpublished)

Hancox, G. (2009) Lauridsen's O Magnum Mysterium, Gabrielli's O Magnum Mysterium & Paval Kajan's Our Father. [Performance] (Unpublished)

Hancox, G. (2009) Mass in Eb. [Performance] (Unpublished)

Hancox, G. (2009) The Mighty Voice. [Performance] (Unpublished)

Hancox, G. (2009) Tallis spem in alium. [Performance] (Unpublished)

Hancox, G. (2009) Trio in Eb (Beethoven), Trio in A Minor (Brahms). [Performance] (Unpublished)

Hancox, G. (2009) Weelkes: Hosanna, Coath come my way. [Performance] (Unpublished)

Hancox, G. (2009) Weelkes: Hosanna, Coath come my way. [Performance] (Unpublished)

Hancox, G. (2009) Weelkes: Hosanna, Coath come my way. [Performance] (Unpublished)

Hancox, G. (2009) Whitaker's Sleep & Rheinberger's Mass in Eb. [Performance] (Unpublished)

Hancox, G. (2009) The sea; This is a song; String is a pecular thing. [Performance] (Unpublished)

Hancox, G., Lewis, K. and Pickup, D. (1995) Dalwyn Henshall's Dover Beach. [Performance]

Hancox, G. (2009) Orient et Occident; Folk Song Suite; Incantation and Dance. [Performance] (Unpublished)

Irving, J. (2010) Sonatas from the court of Salzburg: Leopold Mozart and his contemporaries. [Performance]

Outram, M. (2009) Transcription of Delius cello sonata for viola. [Performance] (Unpublished)

Outram, M. (2009) Transcription of Delius cello sonata for viola. [Performance] (Unpublished)

Outram, M. (2009) Transcription of Delius cello sonata for viola. [Performance] (Unpublished)

Outram, M. (2009) Transcription of Delius cello sonata for viola. [Performance] (Unpublished)

Outram, M. (2009) Transcription of Delius cello sonata for viola. [Performance]

Outram, M. (2009) Transcription of Delius cello sonata for viola. [Performance]

Panufnik, R. and Stilgoe, R. (1999) The upside down sailor. [Performance]

Rawson, R. (2010) Biennial conference on baroque music. [Performance]

Rawson, R. (2009) Concert life in London in the early 18th century. [Performance] (Unpublished)

Rawson, R. (2010) Interludes. [Performance] (Unpublished)

Rawson, R. (2010) Tickle-Fiddle Gentlemen. [Performance] (Unpublished)

Rawson, R. and Barokk, P. (2010) Buxtehude's Membra Jesu Nostri. [Performance] (Unpublished)

Smith, R. and Trovato, S. (2009) Wine Styles. [Performance] (Unpublished)

Stillman, R. (2009) The Films of Emile Cohl. [Performance]

Stillman, R. (2009) Fishing in Rangeley Lakes. [Performance] (Unpublished)

Stillman, R. (2009) Grass. [Performance] (Unpublished)

Stillman, R. (2009) Machine's Song. [Performance] (Unpublished)

Stillman, R. (2009) New works. [Performance] (Unpublished)

Stillman, R. (2009) Station wagon interior perspective. [Performance] (Unpublished)

Watkins, R. E. (2010) Trace. [Performance] (Unpublished)

Watkins, R. E. and Chapman, J. (2010) After Scarlatti. [Performance]

Watkins, R. E. and Chapman, J. (2010) After Scarlatti. [Performance]

Watkins, R. E. and Chapman, J. (2010) After Scarlatti. [Performance]

Wright, Matt (2010) Contact theatre. [Performance] (Unpublished)

Wright, Matt (2009) MONSTA. [Performance] (Unpublished)

Wright, Matt (2009) Mixtape Zen. [Performance] (Unpublished)

Wright, Matt (2009) Mixtape Zen. [Performance] (Unpublished)

Wright, Matt (2010) Nocturne for BJM. [Performance] (Unpublished)

Wright, Matt (2009) Nocturne for BJM. [Performance] (Unpublished)

Wright, Matt (2009) Nocturne for BJM. [Performance] (Unpublished)

Wright, Matt (2009) Nocturne for BJM. [Performance] (Unpublished)

Wright, Matt (2009) Nocturne for BJM. [Performance] (Unpublished)

Wright, Matt and Bailey, S. (2009) Prelude. [Performance] (Unpublished)

Wright, Matt and Parker, E. (2009) Burn Like Icarus. [Performance] (Unpublished)

Video

Birtwistle, A. (1997) L'Adventurra (The Adventure). [Video]

Price, C. (2014) The Serpentine River is coming upstairs: rediscovering the music of the Canterbury Catch Club. [Video] (Unpublished)

Audio

Dean, J. (2009) Spaces. [Audio]

Gower, A. (2009) Finding Katherine Mansfield. [Audio]

Parker, E. and Wright, Matt (2011) Trance map. [Audio]

Wright, Matt (2010) Music at the edge of collapse. [Audio]

Other

Ghikas, P. Migro Records. UK: Migro Records.

Redhead, L (2017) ijereja and entoptic landscape: music as an iterative process. pan y rosas discos, Material Press (Berlin).

This list was generated on Mon Oct 23 20:43:20 2017 UTC.

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Last edited: 29/06/2016 12:23:00